Berlin, Germany - Sophiensaele
In Dandelion II the lighting played the role of a second performer on the stage. Rita Mazza, a performer that expanded sign language into dance, proposed a visual narrative to be composed between light, her body on the stage and one innovative interpretation of sign language. In a complete silent stage, the lighting established the rythm of the play.
"Lighting is music for who is death, and she was dancing to the light. "